What the Dream? What the Illusion? Aroused by reality or seduced by fiction? What The Fact? dares to push perception to its limits, where truth trembles and the surreal seeps into the real.

In a world flooded with glowing screens and infinite streams of information, the boundaries between fact and fiction are getting blurred beyond recognition. What we see, feel, and believe is shaped by memory, bias, and digital distortion. Awake & Aroused: WTF teeters on the edge of this exquisite chaos, inviting artists to question and disrupt what is generally accepted as truth, so as to uncover its breaking point where perception twists and reality is laid bare.

Through sensory overload, fractured narratives, and interactive illusions, artists provoke the ultimate WTF moment: a space where certainty dissolves, and all that’s left is the raw, electric charge of the vast unknown.

Inspired by the stark contrast between ancient and modern dreams and desires, this group exhibition seeks to approach the topic of fairy tales and urban stories from various artistic perspectives. Specifically, the focus here is on both the creation and the perception of legendary, mythological or contemporary storytelling.

As social and moral constructs evolve, traditions and values once perceived as immovable can be reinterpreted and reinvestigated.

Therefore, the objective of this exhibition is, ultimately, to ask ourselves and find out what lies beneath the stories perpetuated by popular culture and myths.

The exhibition 'Die Farben' has brought together five visual artists whose eye for colour and texture both impress and invite the viewers to explore the meaning behind the act of creating art and visual materials. At this event, I exhibited two abstract artworks, namely Reinventing the Human Design III. and Rhetorical Existence IV.

The Artyshox Collective have organised the first exhibition of their series ‘Awake & Aroused’ called ‘Prologue’ which focuses on a multidisciplinary approach to illustrating individual awakening - be it daily or philosophical - and arousal - be it erotic, technological or nature-related.

Together with the collective’s members and their guest artists, I have exhibitied three abstract artworks, namely Portrait of Mens Rea leaving the Human Body III., Reinventing the Human Design, and Rhetorical Existence IV.

The Art Market 04 has been organised by ASBP - Artist Stop Being Poor and held at Prachtsaal in Berlin-Neukölln.

Here, I presented and sold my small-scale abstract artwork and revealed my newest project ‘The Friendly Aliens’ which deals with transforming alienation into an explosion of colour.

Together with 9 other visual artists, I have exhibited three abstract artworks which highlight the social change as seen through my sociological and artistic eyes. The three pieces Rhetorical Existence IV. and Portrait of Mens Rea leaving the Human Body II. and III. are exhibited in the virtual space of the Artwork Gallery Kyiv.

To view the exhibition, click here.

More than 20 visual artists have participated in this exhibition organised and curated by Svetlana Puricel, the founder of RossArt Exhibition and Cultural Space.

Here, I have exhibited one abstract artwork, namely Rhetorical Existence IV. printed on Hahnemühle PhotoRag.

Power Indie Berlin have yet again organised an explosive festival where more than 25 bands, musicians, and visual artists have participated.

My contribution was three abstract paintings, namely The Construction of Selena II. and III. and Portrait of Consciousness doubting its own Existence III. Additionally, I also presented and sold my own handmade bookmarks and A5 decorative drawings.

Together with more than 45 visual artists, I have exhibited two abstract artworks which highlight the social change as seen through my sociological and artistic eyes. The two pieces Subversive Distortion I. and The World through the Eyes of Nephila I. are exhibited in the virtual gallery of the Kreativzentrum Omnibus Dresden.

To view the exhibition, click here.

Together with my art collective Artyshox, we have reprised Ich & Wir, this time at the government-funded cultural centre Statdtteilzentrum Siemensstadt in Berlin-Spandau.

Here, I have exhibited four art pieces, namely The World through the Eyes of Nephila I. and II. as well as A Window into the Wisdom that I might never have I. and II.

At this event, the Artyshox Collective’s first magazine was launched. The publication’s first issue features 28 artists who showcase a wide range of visual art, prose, and poetry.

My contribution consists of a poem and three abstract paintings.

Together as the Artyshox Collective, we exhibit artworks highlighting the human experience as a complex interplay between the self (Ich) and the collective (Wir).

My contribution includes six abstract paintings, namely The Construction of Selena II. and The Horizon beyond the Sun without Name I., III., IV., VI., and VIII.

More than 40 bands, musicians, and visual artists participate in this indie rock festival held in Berlin, Germany.

In its art section, I exhibit three abstract paintings, namely The Construction of Selena II., and The Horizon beyond the Sun without Name VII. and VIII.

At this solidarity market, dozens of artists from and around Berlin have participated, either by donating or by selling their art. All the profits have been given to organisations helping the Turkish and Syrian people affected by the devastating earthquake.

My contributions, Subversive Distortion I. and II. printed on Hahnemühle Torchon, have been donated to and displayed at the Zemin Art Space Berlin.

Together with two other Berlin-based artists, I have exhibited five art pieces highlighting my conceptual approach to the analysis of symbolic violence, a sociological term referring to the negative impact that unequal power relations have on individuals.

My selected art pieces are The Construction of Venus I. and II., Symbolic Identities III., and The Construction of Neptune I. and II.

The exhibition took place at Indie Heads & Frequenzwerk Berlin.

In this international fine art exhibition, 95 artists from 11 countries have participated.

My selected art pieces are Terra I. and Terra II. of which the former has also been printed in the House of King Peter I’s art catalogue.